The Witches from the Other Side of Hell


Book Description

The Witches from the Other Side of Hell Dallas Dwayne Conn This story is full of witches and the evil spells that they cast in behalf of their lord, the devil. The more evil that they are able to do, the more power that the devil gives to them. They sacrifice anyone and everyone that they can to get the devils blessing. The more that the devil likes them, the stronger they shall become. When the people in this story run into two witches that are really old, they learn that the older the witch is, the more powerful she becomes. The warrior is sent out by God and one of his angels to destroy the witches. That doesnt mean that his job is going to be easy just because God and an angel are on his side. The way that the witches use their evil magic to do their sacrifices is graphic, and it goes into full detail of the skinning and the bloodletting. Evil witches are deceivers of men, and that is why God picks one man to become a warrior for him. The warrior uses his faith in God to gain strength and wisdom to fight the battle between good and evil, the fight between the good light and the darkness. Who will win this fight to the death is in this book of evil and good magic. Everything comes with a price, and you will be left asking yourself if you have what it takes to make the right call. The warrior is wearing his costume, and it will give him great power. What will you use to defeat the evil that the witches from the other side of hell throw at you?




Churchill Plays: 1


Book Description

In Traps, a set of characters meet themselves and their pasts to create "plenty of sinewy lines and joyous juxtapostions" (Plays and Players); Vinegar Tom "is set in the world of seventeenth-century witchcraft, but it speaks, through its striking images and its plethora of ironic contradictions, of and to this century..." (Tribune); Light Shining in Buckinghamshire is set during the Civil War and "unflinchingly shows the intolerance that was the obverse side of the demand for common justice. Deftly, it sketches in the kind of social conditions.. that led to hunger for revolution...The play has an austere eloquence that precisely matches its subject." (The Guardian) Cloud Nine sheds light on some of the British Empire's repressed dark side and is "a marvelous play - sometimes scurrilous, always observed with wicked accuracy, and ultimately, surprisingly, rather moving. It plunges straight to the heart of the endless convolutions of sexual mores...and does so with acrobatic wit." (Guardian) Owners:"I was in an old woman's flat when a young man offering her money to move came round, that was one of the starting points of the play" (Caryl Churchill). The plays in this volume represent the best of Churchill's writing up to and including her emergence onto the international theatre scene with Cloud Nine.




The Witches' Cauldron


Book Description

Picking up where To Hell in a Handbasket left off, the fourth and final installment in the Halos & Horns fantasy series finds the angel Gabriel and the demon Asmodeus fighting for their lives against Baphomet and his demonic horde; Lucifer brought for judgment before the Eternals for the murder of Cholestra; and Samantha joining forces with her sisters Drusilla and Calliope against the sorceress supreme Morgana le Fay and the Dark Fae. Will Emma regret her decision to stand by Damien? Will Damien find a way to halt his rapid aging? Will Detective Mordecai survive? And if not, will he take the unrevealed secret of his daughters to the grave? An Empusae attack on Nosferatu, Inc.'s Japanese headquarters not only threatens Chiyoko's territory, but will change Kaya's life forever. Meanwhile, one character must journey back in time to 17th century Salem in search of the secret to defeating Morgana. But what other secrets does the Salem coven hold? No one is safe. As the Halos & Horns saga draws to its conclusion, who will survive? The Witches' Cauldron is the fourth book in the Halos & Horns saga. Readers may wish to begin with the first book, Paved with Good Intentions.




Plays by Women


Book Description




The Longman Anthology of Women's Literature


Book Description

Preface and Acknowledgments. SECTION I: ENGENDERING LANGUAGE, SILENCE, AND VOICE. Introduction. Annotated Bibliography. Virginia Woolf (1882-1941). A Room of One's Own. bell hooks (1955-). Talking Back. Leoba of England and Germany (700?-780). Letter to Lord Boniface. Matilda, Queen of England (1080-1118). Letter to Archbishop Anselm. Letter to Pope Pascal. Anne Lock (fl.1556-1590). from A Meditation of a penitent sinner, upon the 51 psalm. Isabella Whitney (fl. 1567-1573?). The Author. . .Maketh Her Will and Testament. from The Manner of Her Will. Margaret Cavendish, Duchess of Newcastle (1623-1673). The Poetess's Hasty Resolution. The Poetess's Petition. An Excuse for So Much Writ upon My Verses. Nature's Cook. from To All Writing Ladies. Anne Killigrew (1660-1685). Upon the Saying that My Verses Were Made by Another. On a Picture Painted by Herself. Anne Finch, Countess of Winchilsea (1661-1720). The Introduction. A Nocturnal Reverie. Ardelia to Melancholy. Friendship between Ephelia and Ardelia. The Answer. Frances Burney (1752-1840). from The Diary of Frances Burney. Maria Edgeworth (1768-1849). from Letters for Literary Ladies. Jane Austen (1775-1817). Northanger Abbey. Mary Shelley (1797-1851). Introduction to Frankenstein. Charlotte Brontë (1816-1855). Letter from Robert Southey. Letter to Robert Southey . Letter to George Henry Lewes. Emily Brontë (1818-1848). [Alone I sat; the summer day]. To Imagination. The Night Wind. R. Alcona to J. Brenzaida. [No coward soul is mine]. Stanzas. George Eliot (1819-1880). Silly Novels by Lady Novelists. Charlotte Perkins Gilman (1860-1935). The Yellow Wallpaper. Edith Wharton (1862-1937). A Journey. Gertrude Stein (1874-1946). from Patriarchal Poetry. Zora Neale Hurston (1891-1960). from Dust Tracks on a Road. Stevie Smith (1902-1971). My Muse Sits Forlorn. A Dream of Comparison. Thoughts about the Person from Porlock. May Sarton (1912-95). Journey Toward Poetry. The Muse as Medusa. Of the Muse. Hisaye Yamamoto (1921-). Seventeen Syllables. Maxine Hong Kingston (1940-). No Name Woman. Gloria Anzaldúa (1942-). Speaking in Tongues: A Letter to Third World Women Writers. Alice Walker (1944-). In Search of Our Mothers' Gardens. Medbh McGuckian (1950-). To My Grandmother. From the Dressing Room. Turning the Moon into a Verb. Carol Ann Duffy (1955-). Standing Female Nude. Litany. Mrs. Aesop. Gcina Mhlophe (1959-). The Toilet. Sometimes When It Rains. The Dancer. Say No. Intertextualities. Topics for Discussion, Journals, and Essays. Group Writing and Performance Exercise. Barbara Christian (1943-). The Highs and Lows of Black Feminist Criticism. Elaine Showalter (1941-). Feminist Criticism in the Wilderness. SECTION II: WRITING BODIES/BODIES WRITING. Introduction. Annotated Bibliography. Hélène Cixous (1937-). The Laugh of the Medusa. Nancy Mairs (1943-). Reading Houses, Writing Lives: The French Connection. Anonymous. The Wife's Lament (8th century?). Anonymous. Wulf and Eadwacer (8th century?). Margery Kempe (1373?-1438). from The Book of Margery Kempe. Margery Brews Paston (1457?-1495). Letters to her Valentine/fiance. Letter to her husband, John Paston. Elizabeth I (1533-1603). On Monsieur's Departure. When I Was Fair and Young. Mary Wroth (1587?-1653?). from Pamphilia to Amphilanthus. Aphra Behn (1640-1689). The Lucky Chance. Jane Barker (1652-1727). A Virgin Life. Delarivier Manley (1663-1724). from The New Atalantis. Eliza Haywood (1693?-1756). from The Female Spectator. Harriet Jacobs (1813?-1897). from Incidents in the Life of a Slave Girl. Christina Rossetti (1830-1894). Monna Innominata. Djuna Barnes (1892-1982). from Ladies Almanack. To the Dogs. Edna St. Vincent Millay (1892-1950),. from Fatal Interview. Anne Sexton (1928-1974). The Abortion. In Celebration of My Uterus. For My Lover, Returning to His Wife. Audre Lorde (1934-1992). Uses of the Erotic: The Erotic as Power. Love Poem. Chain. Restoration-A Memorial. Bharati Mukherjee (1938-). A Wife's Story. Toni Cade Bambara (1939-1996). My Man Bovanne. Sharon Olds (1942-). That Year. The Language of the Brag. The Girl. Sex Without Love. Slavenka Drakulic (1949-). Makeup and Other Crucial Questions. Joy Harjo (1951-). Fire. Deer Ghost. City of Fire. Heartshed. Dionne Brand (1953-). Madame Alaird's Breasts. Sandra Cisneros (1955-). I the Woman. Love Poem #1. Jackie Kay (1961-). Close Shave. Other Lovers. Intertextualities. Topics for Discussion, Journals, and Essays. Group Writing and Performance Exercise. Catherine Gallagher (1945-). Who Was That Masked Woman? The Prostitute and the Playwright in the Comedies of Aphra Behn. Shari Benstock (1944-). The Lesbian Other.




The Other Side of Midnight


Book Description

On the eve of her birthday, Ashley wakes to find her family murdered, a deadly hunger ravaging her body. A dark voice beseeches her to seek her new fate as an immortal being plunged into a world ruled by laws and myths long forgotten. Along the way, she meets Apollo,her soul mate, one born of two fathers. Together they travel, lost to their souls, confronting the unholy secrets the past. Violent passions erupt as Ashley fights her hunger for blood and lustful desires for her new companion. Meet the Firsts—Croven, the Witch. Orion, the Elfin King. Draagyn, the Vampire, destroyer of life. Danger unfolds as Ashley’s soul is entwined with Draagyn’s mate, Amber Rose, seeking once more to take her seat at his side. Follow into the web of deceit as Ashley struggles to find her true self. Is she Draagyn's Queen of Darkness reincarnate? The long lost beloved of her Apollo? Or, is she the prophecy yet to be fulfilled?







The Witches of BlackBrook


Book Description

Through space and time, sisters entwined. Lost then found, souls remain bound. Three sisters escape the Salem witch trials when the eldest casts a spell that hurtles their souls forward through time. After centuries separated, fate has finally reunited them in the present day. One the healer, one the teacher, and one the deceiver. Will their reunion return their full powers, or end their souls journey forever? A Witches of BlackBrook novel.




How the Other Half Lives


Book Description

The Danish-American journalist Jacob Riis visited the slums of New York City to highlight the squalor in which the “other half” lived. He used flash photography (a new innovation), tables of statistics, and personal stories to vividly depict the city’s various neighborhoods and ethnic groups. But the book isn’t merely a factual documentary—it’s also a moralistic appraisal of greedy landlords, the abundance of cheap beer dives and saloons, the low character of the tenants, and the very low wages on which the poor tried to subsist. He described some reforms already implemented, as well as those still needed. How the Other Half Lives was written at a time when many people were crowding into New York City. It was first published as an article in Scribner’s Magazine in 1889, along with many illustrations that were based directly on Riis’s photography. It was expanded into a full book in the next year, with the inclusion of more illustrations and some of Riis’s original photographs. The middle and upper classes were shocked by what the book described, about which they knew very little. Christian organizations in New York and beyond had similar reactions. The book was widely praised, and led to the enactment of many reforms in the following years aimed at improving the conditions of the tenements and the working poor. This book is part of the Standard Ebooks project, which produces free public domain ebooks.




How the Other Half Lives


Book Description