These Bodies


Book Description

Fiction. Short Stories. African & African American Studies. THESE BODIES, a collection of eleven stories by Morgan Christie, explores the complexities of relationships, specifically those of people of color. Each story highlights the subtleties and undercurrents of the life of a unique protagonist. Championing underrepresented stories, loves, trials, and bodies, Christie's debut full-length book is one of depth, of passion, of fear, and of joy. "Reading Morgan Christie's debut collection is like falling into a dream, animal life and the occasional fantastical element peeking through a curtain of painful human reality. Christie's voice is precise throughout, modern and emotionally astute, her characters filled with longing, forced while at various crossroads to reconcile vices and failings--large and small--with their hopes for a better world."--Karen Palmer "THESE BODIES serves as an almost unnerving reflection of what it means to be human, to the point that every reader will be able to recognize some part of themselves within these pages, whether it's the need for understanding, the desperation of a second chance, or the lies we acknowledge but rarely have the courage to truly face. Written with empathy, subtlety, and just a little bit of magic, Christie is one of those writers whose stories will randomly pop into your head, seemingly unprovoked, for years to come."--MK Roney "One of the best short story collections I've read in a while. Christie skillfully crafts characters so real, you can feel their hearts beating through the pages. The stories in THESE BODIES are an honest and relatable look at the multifaceted human experience, something we need in the world now more than ever."--Racquel Henry




All These Bodies


Book Description

* Indie Next List Pick * Indie Bestseller * Sixteen bloodless bodies. Two teenagers. One impossible explanation. In this edge-of-your-seat mystery from #1 New York Times bestselling author Kendare Blake, the truth is as hard to believe as it is to find. Summer 1958. A gruesome killer plagues the Midwest, leaving behind a trail of bodies completely drained of blood. Michael Jensen, an aspiring journalist whose father happens to be the town sheriff, never imagined that the Bloodless Murders would come to his backyard. Not until the night the Carlson family was found murdered in their home. Marie Catherine Hale, a diminutive fifteen-year-old, was discovered at the scene—covered in blood. She is the sole suspect in custody. Michael didn’t think that he would be part of the investigation, but he is pulled in when Marie decides that he is the only one she will confess to. As Marie recounts her version of the story, it falls to Michael to find the truth: What really happened the night that the Carlsons were killed? And how did one girl wind up in the middle of all these bodies?




These Bodies Between Us


Book Description

A wistful coming-of-age story with a haunting twist about four friends who spend their summer learning to become invisible—but disappearing comes at a cost. Four girls. Four girls skating home, both sides of the road, fearless. Four girls at the mouth of an infinite ocean, sugared and salted with sand and seawater, the tide licking their sunburned feet. This summer, they’re going to disappear. For seventeen-year-old Callie and her best friends Talia and Cleo, every summer in their small North Carolina beach town is as steady as the tides. But this year, Cleo has invited enigmatic new girl Polly to join them, creating waves in their familiar friendship. And Cleo has an idea, gleaned from private YouTube videos and hidden message boards: they’re going to learn how to make themselves invisible. Callie thinks it’s a ridiculous, impossible plan. But the other girls are intoxicated by the thought of disappearing, even temporarily—from bad boyfriends, from overbearing families, from the confusing, uncomfortable reality of having a body altogether. And, miraculously, it works. Yet as the girls revel in their reckless new freedom, they realize it’s getting harder to come back to themselves… and do they even want to?




The Bodies That Remain


Book Description

The Bodies That Remain is a collection of bodies and absences. Through biography, experimental essay and interview, fictional manifestation, and poetic extraction, The Bodies That Remain is a collection of texts and images on the bodies of artists and writers who battled with the frustration of their own physicality and whose work reckoned with these limitations and continued beyond them. The Bodies That Remain looks back at how the identity of these bodies was shaped by the spaces around them, through the retelling of memory, through stories told by others; of how their work, processed by their body, made it possible for others to experience sensations - mourning, desire, or a nostalgia that could not belong to another, to another's body and in capturing this ability, their work confirms the body's urgency. Amongst others, The Bodies That Remain tells the story of Emily Dickinson's decay, the missing grave of Valeska Gert, the voice and sound of the body of Judee Sill, and the derailed body and its work of Jane Bowles. It questions the absent body but broken organs of JT Leroy as they find themselves scattered across texts, and also interrogates the loss of distinction of illness for Jules de Goncourt as syphilis riddled his nervous system. It retrieves the illusory body of Kathy Acker through dream and through horror, sees the morphing body of Michael Jackson in becoming all of the bodies he was asked to be, and looks toward Sylvia Plath and the language of her own body. Contributions include texts and images by: Lynne Tillman (on Jane Bowles), David Rule (on Michael Jackson), Mairead Case (on Judee Sill), Claire Potter (on the Lads of Aran), Jeremy Millar (on Emily Dickinson), Chloé Griffin (on Valeska Gert), Phoebe Blatton (on Brigid Brophy), Susanna Davies-Crook (on Sarah Kane), Travis Jeppensen (on Gary Sullivan), Karen Di Franco (on Mary Butts), Tai Shani (on Mnemesoid), Philip Hoare (on Denton Welch), Heather Phillipson (on a dead dog), Uma Breakdown (on Guage Fanfic), Linda Stuppart (on Kathy Acker), Sharon Kivland (on Jacques Lacan), Harman Bains (on Wilhelm Reich), Pil & Galia Kollectiv (JT Leroy), Kevin Breathnach (on Jules de Goncourt), and Emily LaBarge (on Sylvia Plath).




These Bodies of Water


Book Description

'Impossible to put down while you're reading, and impossible to forget about when you've finished' Glamour After a gruelling job interview where she was interrogated about everything from her political leanings to her family background, Sabrina Mahfouz realised that one unspoken question had pervaded her entire life: as a woman of Middle Eastern heritage, could she really be trusted? Years later, Sabrina found herself confronting this question and how it was specifically informed by the British Empire's historical dominance in the Middle East. Taking us on a journey of the Middle-Eastern coastlines and waterways that were so vital to the Empire's hold, and combining memoir, history, politics, myth and poetry, These Bodies of Water is a tapestry of writing that tells the unacknowledged story of Britain's relationship with the Middle East in the most revealing terms. 'A writer of staggering conviction, ingenuity and integrity' Kae Tempest 'Brilliant and profound' Nikesh Shukla 'A bold, brave look at the ways imperialism affects us all' Riz Ahmed




Bring Up the Bodies


Book Description

Winner of the 2012 Man Booker Prize Winner of the 2012 Costa Book of the Year Award The sequel to Hilary Mantel's 2009 Man Booker Prize winner and New York Times bestseller, Wolf Hall delves into the heart of Tudor history with the downfall of Anne Boleyn Though he battled for seven years to marry her, Henry is disenchanted with Anne Boleyn. She has failed to give him a son and her sharp intelligence and audacious will alienate his old friends and the noble families of England. When the discarded Katherine dies in exile from the court, Anne stands starkly exposed, the focus of gossip and malice. At a word from Henry, Thomas Cromwell is ready to bring her down. Over three terrifying weeks, Anne is ensnared in a web of conspiracy, while the demure Jane Seymour stands waiting her turn for the poisoned wedding ring. But Anne and her powerful family will not yield without a ferocious struggle. Hilary Mantel's Bring Up the Bodies follows the dramatic trial of the queen and her suitors for adultery and treason. To defeat the Boleyns, Cromwell must ally with his natural enemies, the papist aristocracy. What price will he pay for Anne's head? Bring Up the Bodies is one of The New York Times' 10 Best Books of 2012, one of Publishers Weekly's Top 10 Best Books of 2012 and one of The Washington Post's 10 Best Books of 2012




Between the World and Me


Book Description

#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone) NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • NAMED ONE OF PASTE’S BEST MEMOIRS OF THE DECADE • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times Book Review • O: The Oprah Magazine • The Washington Post • People • Entertainment Weekly • Vogue • Los Angeles Times • San Francisco Chronicle • Chicago Tribune • New York • Newsday • Library Journal • Publishers Weekly In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.




Loving What Doesn't Last


Book Description

For all who inhabit a body and wonder about its place in the universe. In Loving What Doesn’t Last: An Adoration of the Body, Christina Kukuk reminds us that what matters most are things don’t last forever. We find faith, hope, and love in and the string of endings and beginnings that make a life: a mother who plants an orchard in her son’s memory, a girl’s struggle with food scarcity, an adolescent awakening to infatuation at summer camp, and a woman waiting hours for her lover’s recovery on a hospital’s transplant floor. In every fleeting moment from the first pangs of birth to our last breath, God is in all of it.




These Bodies of Water


Book Description




All Kinds of Bodies


Book Description

Do you like the way you look? Would you rather look like someone else? This delightful lift-the-flap book shows all kinds of faces and bodies to teach that no matter how we look on the outside, under the skin we are all the same and everyone is special. At the end is an informative lift-the-flap skeleton to hang on the wall.