Over Their Dead Bodies


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Tombstone


Book Description

THE INSTANT NATIONAL BESTSELLER "Tombstone is written in a distinctly American voice." —T.J. Stiles, The New York Times “With a former newsman’s nose for the truth, Clavin has sifted the facts, myths, and lies to produce what might be as accurate an account as we will ever get of the old West’s most famous feud.” —Associated Press The true story of the Earp brothers, Doc Holliday, and the famous Battle at the OK Corral, by the New York Times bestselling author of Dodge City and Wild Bill. On the afternoon of October 26, 1881, eight men clashed in what would be known as the most famous shootout in American frontier history. Thirty bullets were exchanged in thirty seconds, killing three men and wounding three others. The fight sprang forth from a tense, hot summer. Cattle rustlers had been terrorizing the back country of Mexico and selling the livestock they stole to corrupt ranchers. The Mexican government built forts along the border to try to thwart American outlaws, while Arizona citizens became increasingly agitated. Rustlers, who became known as the cow-boys, began to kill each other as well as innocent citizens. That October, tensions boiled over with Ike and Billy Clanton, Tom and Frank McLaury, and Billy Claiborne confronting the Tombstone marshal, Virgil Earp, and the suddenly deputized Wyatt and Morgan Earp and shotgun-toting Doc Holliday. Bestselling author Tom Clavin peers behind decades of legend surrounding the story of Tombstone to reveal the true story of the drama and violence that made it famous. Tombstone also digs deep into the vendetta ride that followed the tragic gunfight, when Wyatt and Warren Earp and Holliday went vigilante to track down the likes of Johnny Ringo, Curly Bill Brocius, and other cowboys who had cowardly gunned down his brothers. That "vendetta ride" would make the myth of Wyatt Earp complete and punctuate the struggle for power in the American frontier's last boom town.




Reading the Gravestones of Old New England


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The graveyards of old New England hold an incredible range of poetic messages in the epitaphs etched into the gravestones, each a profound expression of emotion, culture, religion, and literature. These epitaphs are old, but their themes are timeless: mourning and faith, grief and hope, loss, and memory. This book tells the story of a years-long walk among gravestones and shares insights gained along the way. It identifies the source texts and authors chosen for these stones; interprets something of the tastes and beliefs of the people who did the choosing; offers some hypotheses on the various ways these texts were accessible to readers in remote towns and villages; gives a brief summary of the religious context of the times; and reflects on how the language and literature chosen for these epitaphs express these peoples' conflicted and evolving attitudes towards life, death, and eternity.







Written in Stone


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Tombstone readings of Preston County, West Virginia







Tombstone Tea


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In order to be accepted by the ''in crowd'' at her new high school, Jamie accepts a dare to spend one night in a local cemetery collecting rubbings from ten gravestones. Once inside the gate of the dark and frightening burial ground, Jamie meets Paul, a handsome boy who works as a caretaker at the cemetery. Paul explains to Jamie about Tombstone Tea: a fund-raising performance in which actors impersonate the people buried in the cemetery. The actors are supposedly rehearsing on this particular evening, but Jamie quickly discovers that they aren't actors at all but the ghosts of men and women buried in the cemetery. When one woman decides to adopt Jamie to replace her lost daughter, our heroine fears she may never escape the cemetery. Full of rich history and filled with a cast of ghostly characters, the third eerily descriptive novel from Joanne Dahme is just as creepy as her first novel Creepers.




Muhammad's Grave


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Winner, 2007 Albert Hourani Book Award, Middle East Studies Association Winner, 2008 Award for Excellence in the Study of Religion in Analytical-Descriptive Studies, American Academy of Religion Winner, 2011 John Nicholas Brown Prize, Medieval Academy of America Winner, 2008 Ralph Waldo Emerson Award, Phi Beta Kappa Shortlisted, 2008 Best First Book in the History of Religions, American Academy of Religion Longlisted, 2008 Cundill International Prize and Lecture in HIstory at McGill University In his probing study of the role of death rites in the making of Islamic society, Leor Halevi imaginatively plays prescriptive texts against material culture and advances new ways of interpreting highly contested sources. His original research reveals that religious scholars of the early Islamic period produced codes of funerary law not only to define the handling of a Muslim corpse but also to transform everyday urban practices. Relying on oral traditions, these scholars established new social patterns in the cities of Arabia, Mesopotamia, and the eastern Mediterranean. They distinguished Islamic rites from Christian, Jewish, and Zoroastrian rites and changed the way men and women interacted publicly and privately. In each chapter Halevi explores a different layer of human interaction, following the movement of the corpse from the deathbed to the grave. In the process he analyzes the real and imaginary relationships between husbands and wives, prayer leaders and mourners, and even dreamers and the dead. He describes how Muslims wailed for the deceased, prepared corpses for burial, marched in funerary processions, and prayed for the dead, highlighting the specific economic and political factors involved in these rituals as well as key religious and sexual divisions. Offering a unique perspective on the making of Islamic social and religious ideals during this early period, Halevi forges a fascinating link between the development of funerary rites and the efforts of an emerging religion to carve out its own, distinct identity. Muhammad's Grave is a groundbreaking history of the rise of Islam and the roots of contemporary Muslim attitudes toward the body and society.