Gillian Wearing and Claude Cahun


Book Description

Published to accompany an exhibition held at the National Portrait Gallery, London, 9 March-29 May 2017




Clothing


Book Description

In virtually all the countries of the world, men, and to a lesser extent women, are today dressed in very similar clothing. This book gives a compelling account and analysis of the process by which this has come about. At the same time it takes seriously those places where, for whatever reason, this process has not occurred, or has been reversed, and provides explanations for these developments. The first part of this story recounts how the cultural, political and economic power of Europe and, from the later nineteenth century North America, has provided an impetus for the adoption of whatever was at that time standard Western dress. Set against this, Robert Ross shows how the adoption of European style dress, or its rejection, has always been a political act, performed most frequently in order to claim equality with colonial masters, more often a male option, or to stress distinction from them, which women, perhaps under male duress, more frequently did. The book takes a refreshing global perspective to its subject, with all continents and many countries being discussed. It investigates not merely the symbolic and message-bearing aspects of clothing, but also practical matters of production and, equally importantly, distribution.




Medieval Clothing and Textiles


Book Description

The best new research on medieval clothing and textiles, drawing from a range of disciplines. Topics in this volume range widely throughout the European middle ages. Three contributions concern terminology for dress. Two deal with multicultural medieval Apulia: an examination of clothing terms in surviving marriage contracts from the tenth to the fourteenth century, and a close focus on an illuminated document made for a prestigious wedding. Turning to Scandinavia, there is an analysis of clothing materials from Norway and Sweden according to gender and social distribution. Further papers consider the economic uses of cloth and clothing: wool production and the dress of the Cistercian community at Beaulieu Abbey based on its 1269-1270 account book, and the use of clothing as pledge or payment in medieval Ireland. In addition, there is a consideration of the history of dagged clothing and its negative significance to moralists, and of the painted hangings that were common in homes of all classes in the sixteenth century. ROBIN NETHERTON is a professional editor and a researcher/lecturer on the interpretation of medieval European dress; GALE R. OWEN-CROCKER is Emerita Professor of Anglo-Saxon Culture at the University of Manchester. Contributors: Antonietta Amati, Eva I. Andersson, John Block Friedman, Susan James, John Oldland, Lucia Sinisi, Mark Zumbuhl




Veiling in Fashion


Book Description

Veiling in Fashion enters the worlds of women who wear the hijab, both as an aspect of their religious observance and community belonging, and as a fashion statement, drawing upon global Islamic fashion history. The book uses rich ethnographic investigation of everyday veiling practices among Muslim women in the city of Helsinki as a lens through which to reflect on and advance understanding of matters concerning Muslim dress in international Muslim minority contexts. The book provides an innovative approach to studying veiling by connecting varied realms of practice, demonstrating how domains as apparently separate as fashion, materiality, city spaces, private life, religious beliefs, and cosmopolitan social conditions are all tightly bound up together in ways that only a sensitive multi-disciplinary approach can reveal. It will appeal to scholars and students in fashion, gender, religion, material cultures, and the construction of space.




Faces in the Crowd


Book Description

"Taking Edouard Manet as its starting point and moving through the work of major painters and sculptors such as Ensor, Boccioni, Duchamp, Kollwitz, Kirchner, Beckmann, Magritte, Picasso, Hopper, Warhol, Hamilton, Pistoletto, Richter, Acconci, Sherman, Schutte, Ofili and Kentridge, as well as photographers such as Atget, Brassai, Evans, Levitt, Arnold, Weegee, Giacomelli, Goldin and Keita, Faces in the Crowd traces a history of avant-garde figuration from the 1870s to today through the works of one hundred artists." "The great revolutions in twentieth century art tend to be associated with abstraction. Yet there is a parallel history, which is equally radical. Manet's vividly realist scenarios or Jeff Wall's cinematic tableaux offer a compelling pictorial illusion of the modern. By contrast, Edvard Munch or Francis Bacon present a tortured or exhilarated inner life. For Alexander Rodchenko, the figure can be an agent of social change, revolutionary transgressive or symbolic." "This catalogue accompanies the exhibition organised by the Whitechapel Gallery and the Castello di Rivoli Museum of Contemporary Art."--BOOK JACKET.




Where to Wear


Book Description




Shaping Sustainable Fashion


Book Description

The production, use and eventual disposal of most clothing is environmentally damaging, and many fashion and textile designers are becoming keen to employ more sustainable strategies in their work. This book provides a practical guide to the ways in which designers are creating fashion with less waste and greater durability. Based on the results of extensive research into lifecycle approaches to sustainable fashion, the book is divided into four sections: source: explores the motivations for the selection of materials for fashion garments and suggests that garments can be made from materials that also assist in the management of textile waste make: discusses the differing approaches to the design and manufacture of sustainable fashion garments that can also provide the opportunity for waste control and minimization use: explores schemes that encourage the consumer to engage in slow fashion consumption last: examines alternative solutions to the predictable fate of most garments – landfill. Illustrated throughout with case studies of best practice from international designers and fashion labels and written in a practical, accessible style, this is a must-have guide for fashion and textile designers and students in their areas.




Fashion, Dress and Identity in South Asian Diaspora Narratives


Book Description

This book is the first book-length study to explore the sartorial politics of identity in the literature of the South Asian diaspora in Britain. Using fashion and dress as the main focus of analysis, and linking them with a myriad of identity concerns, the book takes the reader on a journey from the eighteenth century to the new millennium, from early travel account by South Asian writers to contemporary British-Asian fictions. Besides sartorial readings of other key authors and texts, the book provides an in-depth exploration of Kamala Markandaya’s The Nowhere Man (1972), Hanif Kureishi’s The Buddha of Suburbia (1990), Meera Syal’s Life Isn’t All Ha Ha Hee Hee (1999) and Monica Ali’s Brick Lane (2003).This work examines what an analysis of dress contributes to the interpretation of the featured texts, their contexts and identity politics, but it also considers what literature has added to past and present discussions on the South Asian dressed body in Br itain. Endowed with an interdisciplinary emphasis, the book is of interest to students and academics in a variety of fields, including literary criticism, socio-cultural studies and fashion theory.




The Photograph as Contemporary Art


Book Description

"An essential guide."--Seattle Post-Intelligencer