Women in Jamaican Music


Book Description

As the ubiquitous Jamaican musician Bob Marley once famously sang, "half the story has never been told." This rings particularly true for the little-known women in Jamaican music who comprise significantly less than half of the Caribbean nation's musical landscape. This book covers the female contribution to Jamaican music and its subgenres through dozens of interviews with vocalists, instrumentalists, bandleaders, producers, deejays and supporters of the arts. Relegated to marginalized spaces, these pioneering women fought for their claim to the spotlight amid oppressive conditions to help create and shape Jamaica's musical heritage.




Songbirds


Book Description

In a music world that was rougher than rough, where men took monikers of royalty and machismo like Duke and King and Lord; where boastful ringleaders fired guns into the air after descending a throne carried by their legions of followers, bandoliers crisscrossing their chests, ermine on their shoulders; where violent gangs stormed dances to "mash up," breaking sound system equipment and smashing bottles of beer on brick walls, how was a little girl with a sweet song in her soul to have a chance? Some Jamaican women found a way. They endured harassment and received little or no pay to perform as backup or alongside or in front of the male musicians. They sacrificed family and home for a life in the spotlight, or they brought their babies with them on the road. They took over the studio and made it their own, or they suffered unimaginable violence, even murder. They changed the course of music all over the world. These are the never-before-told stories of the women who tried and persevered and made it, no matter what their struggle. These are the Songbirds: Pioneering Women of Jamaican Music. Featuring exclusive photos and dozens of interviews from the women themselves, or those who knew them, Heather Augustyn, author of three previously-published books on Jamaican music history, brings to life the stories of these inspirational women so that their music can be savored and their lives finally celebrated.




Women in Jamaican Music


Book Description

As the ubiquitous Jamaican musician Bob Marley once famously sang, "half the story has never been told." This rings particularly true for the little-known women in Jamaican music who comprise significantly less than half of the Caribbean nation's musical landscape. This book covers the female contribution to Jamaican music and its subgenres through dozens of interviews with vocalists, instrumentalists, bandleaders, producers, deejays and supporters of the arts. Relegated to marginalized spaces, these pioneering women fought for their claim to the spotlight amid oppressive conditions to help create and shape Jamaica's musical heritage.




Songbirds


Book Description

In a music world that was rougher than rough, where men took monikers of royalty and machismo like Duke and King and Lord; where boastful ringleaders fired guns into the air after descending a throne carried by their legions of followers, bandoliers crisscrossing their chests, ermine on their shoulders; where violent gangs stormed dances to "mash up," breaking sound system equipment and smashing bottles of beer on brick walls, how was a little girl with a sweet song in her soul to have a chance? Some Jamaican women found a way. They endured harassment and received little or no pay to perform as backup or alongside or in front of the male musicians. They sacrificed family and home for a life in the spotlight, or they brought their babies with them on the road. They took over the studio and made it their own, or they suffered unimaginable violence, even murder. They changed the course of music all over the world. These are the never-before-told stories of the women who tried and persevered and made it, no matter what their struggle. These are the Songbirds: Pioneering Women of Jamaican Music. Featuring exclusive photos and dozens of interviews from the women themselves, or those who knew them, Heather Augustyn, author of three previously-published books on Jamaican music history, brings to life the stories of these inspirational women so that their music can be savored and their lives finally celebrated.




This is Reggae Music


Book Description

A history of Jamaica's contribution to world culture--reggae--traces the history of the form from African rhythms to the slums of Kingston and the international recording industry.




The Gift of Music and Song


Book Description

This beautiful collection of interviews, conducted by journalist, poet, novelist and artist Jacqueline Bishop, features insightful and entertaining conversations with many of Jamaica's most significant writers including Olive Senior, Lorna Goodison, Marcia Douglas and many more.




Reggae Routes


Book Description

Jamaican music can be roughly divided into four eras, each with a distinctive beat - ska, rocksteady, reggae and dancehall. Ska dates from about 1960 to mid-1966, rocksteady from 1966 to 1968, while from 1969 to 1983 reggae was the popular beat. The reggae era had two phases, 'early reggae' up to 1974 and 'roots reggae' up to 1983. Since 1983 dancehall has been the prevalent sound. The authors describe each stage in the development of the music, identifying the most popular songs and artists, highlighting the significant social, political and economic issues as they affected the musical scene. While they write from a Jamaican perspective, the intended audience is 'any person, local or foreign, interested in an intelligent discussion of reggae music and Jamaica.'.




Reggae Heritage


Book Description

- I speak of victory, not victim, triumph and not defeat; I have buried hopelessness in the cemetery of compete; the slum was not born in me, but in the born elite; what once left me void; I have conquered to become complete; all my life has been a rock climb, traveled in the bareness of my feet. excerpt from title poem: "Rock Climbing With My Bare Feet". Rock Climbing With My Bare Feet is a collection of poetry that encompasses themes such as internal struggle, women empowerment, motivation, political consciousness, perserverance and a variety of other topics. These themes, among others, are structured into chapters to make an easier read for the audience. The chapter titles are brilliantly named so that the reader can identify the theme of each chapter. Chapters include Who Am I To Be Me?, the author's favorite More Importantly: I AM A WOMAN, Ditchin' Demons In a Deep Depression, Life Should Be Motivation Enough, I Wouldn't Even Trade My Mind (For a Sane One), Rock Climbing With My Bare Feet, Citizen's Arrest, Life's Waves Won't Knock Me Over, Featuring: I Wait on Words! Be prepared to be intellectually challenged, spiritually moved, and genuinely entertained! For young and mature readers alike, of all cultures and ethnicities.




World Music: Latin and North America, Caribbean, India, Asia and Pacific


Book Description

The Rough Guide to World Musicwas published for the first time in 1994 and became the definitive reference. Six years on, the subject has become too big for one book- hence this new two-volume edition. World Music 2- Latin and North America, Caribbean, India, Asia and Pacifichas full coverage of everything from salsa and merengue to qawwali and gamelan, and biographies of artists from Juan Luis Guerra to The Klezmatics to Nusrat Fateh Ali Khan. Features include more than 80 articles from expert contributors, focusing on the popular and roots music to be seen and heard, both live and on disc, and extensive discographies for each country, with biography-notes on nearly 2000 musicians and reviews of their best available CDs. It includes photos and album cover illustrations which have been gathered from contemporary and archive sources, many of them unique to this book, and directories of World Music labels, specialist stores around the world and on the internet.




Don Drummond


Book Description

This is a comprehensive biography of a brilliant musician who forever shaped the course of ska, reggae, and popular music worldwide, only to take the life of his lover and in so doing, destroy his career at the age of 30. In his short life Don Drummond created an enduring legacy despite poverty, class separation, mental illness, racial politics, and the exploitation of his work. The words of Drummond's childhood friends, classmates, musicians, medical staff, legal counsel, and teachers enliven this story of his "unusual mind." They recall the early days in the recording studio, playing the instrumental backup for Bob Marley and others, and the nights in the Rasta camps where musicians burned the midnight oil and more. They remember the gyrations of his lover, Margarita, the Rumba Queen, as she tantalized audiences at Club Havana; tell what happened that tragic night when Drummond stabbed Margarita four times; reveal details of the trial (delayed more than a year as Drummond was ruled mentally unfit) and offer insights into Drummond's death in a mental asylum at age 35.