Yusuf's Fragrance


Book Description

It can be said of the 19th century Kashmiri poet, Mahmud Ga ̄mi that he was a pioneer in introducing the Persian genres of the ghazal, nazm, masnavi and na ̄t into Kashmiri. Mahmud Gami's contribution to Kashmiri poetry is unique in both scope and depth. Not only is he the first truly prolific poet who has written entirely in the Kashmiri language, but much of his poetry also stands out for its beauty of expression and depth of thought, such as in the lyrical romance of Shireen Khusrau, Yusuf Zulaikha, and Layla Majnun. Yusuf's Fragrance is both a celebration as well as an homage to Gami's oeuvre. Through these beautiful verses, we explore themes of love, both physical and metaphysical, philosophy, folklore, and tradition through different narrative devices, such as nazms, masnavis, and vatsuns.




Yusuf's Fragrance


Book Description

It can be said of the 19th century Kashmiri poet, Mahmud Ga ̄ mi that he was a pioneer in introducing the Persian genres of the ghazal, nazm, masnavi and na ̄ t into Kashmiri. Mahmud Gami's contribution to Kashmiri poetry is unique in both scope and depth. Not only is he the first truly prolific poet who has written entirely in the Kashmiri language, but much of his poetry also stands out for its beauty of expression and depth of thought, such as in the lyrical romance of Shireen Khusrau, Yusuf Zulaikha, and Layla Majnun. Yusuf's Fragrance is both a celebration as well as an homage to Gami's oeuvre. Through these beautiful verses, we explore themes of love, both physical and metaphysical, philosophy, folklore, and tradition through different narrative devices, such as nazms, masnavis, and vatsuns.




Yusuf And Zulaikha


Book Description

'The most beautiful of stories...'A new translation of Jami's celebrated allegorical romance. Selected by Doris Lessing as one of the 'Observer Books of the Year', 1981.




Yusuf and Zulaikha


Book Description

First Published in 2000. This is Volume II of thirteen the Oriental series looking at Persia. Written around 1882, this book includes a translation from Persian to English of the love poem by Jami of ‘Yusuf and Zulaikha initially created in the fifteenth century.




Flavouring and Fragrant Resources of India


Book Description

This comprehensive manual serves as a handy reference guide, offering very useful information on 625 species of flavouring and fragrant plants. Over 49 colour photographs and 7 useful appendices enhance the value of the manual significantly. The information contained would be an invaluable asset for the nutritionists, food scientists, economic botanists, ethnobotanists, horticulturists, plant breeders and crop genetists, biotechnologists, aromatherapists, students, researchers and teachers of these disciplines and laymen alike. No botanical library should be without it. The contents include: Preface; Abbreviations; I. Introduction (What are Essential Oils?; Spices and Condiments; Overview of Flavouring and Fragrant Plants; Enumeration of Flavouring and Fragrant Plants; II. Flavouring and Fragrant Resources of India; III. Epilogue; IV. Literature Cited; V. Appendices (Index to Total Number of Genera and Species under Various Divisions of Plant Kingdom - Appendix I; Index to Families - Appendix II; Index to Use of Various Species under a Genus for Flavouring and Fragrance - Appendix III; Index to Botanical Names - Appendix IV; Index to English Names - Appendix V; Index to Sanskrit Names - Appendix VI; Index to Hindi Names - Appendix VII).




Attar and the Persian Sufi Tradition


Book Description

Farid al-Din 'Attar (d. 1221) was the principal Muslim religious poet of the second half of the twelfth century. Best known for his masterpiece "Mantiq al-tayr", or "The Conference of Birds", his verse is still considered to be the finest example of Sufi love poetry in the Persian language after that of Rumi. Distinguished by their provocative and radical theology of love, many lines of 'Attar's epics and lyrics are cited independently of their poems as maxims in their own right. These pithy, paradoxical statements are still known by heart and sung by minstrels throughout Iran, Afghanistan, Tajikistan, and wherever Persian is spoken or understood, such as in the lands of the Indo-Pakistani Subcontinent. Designed to take its place alongside "The Ocean of the Soul", the classic study of 'Attar by Hellmut Ritter, this volume offers the most comprehensive survey of 'Attar's literary works to date, and situates his poetry and prose within the wider context of the Persian Sufi tradition. The essays in the volume are grouped in three sections, and feature contributions by sixteen scholars from North America, Europe and Iran, which illustrate, from a variety of critical prespectives, the full range of 'Attar's monumental achievement. They show how and why 'Attar's poetical work, as well as his mystical doctrines, came to wield such tremendous and formative influence over the whole of Persian Sufism.




Yusuf and Zulaikha


Book Description

A romantic tale which, as sheer gripping entertainment, bears comparison with the finest in any age or country. Described in the Koran as "the most beautiful of stories," the romance of Yusuf and Zulaikha is a theme to which Eastern poets have constantly returned. Undoubtedly, in Jami's deeply moving and thought-provoking version, it finds its finest expression. Written by the great Sufi poet in 1483 A.D., this masterpiece explores the intimate and many-leveled relationship between love and beauty and portrays erotic and divine love, not as irre-concilable opposites, but as an allegorical continuum.




House of the Wolf


Book Description

Winner of the 2012 Naguib Mahfouz Medal, this novel is set in an idyllic Egyptian village from the time it was discovered by Muhammad Ali's mission in the early nineteenth century to the 2003 US invasion of Iraq, movingly intertwining events on the world scene with the life dramas of its protagonists. The story opens with the pivotal character, Mubarka Badr, now a grandmother and matriarch, wanting to dictate a letter to God for her grandson to send to the Almighty by email. We are then ushered back in time to Mubarka's fiery adolescence and her painfully aborted romance with Muntasir, son of the village's deceased but legendary strongman. The shifting fortunes of the Deeb clan affect every aspect of its members' lives, from their sexual vulnerabilities to the grief of loss, the uncertainties of a changing world, and the heartaches borne of betrayal and love unfulfilled.




Malachite Lion


Book Description

Libraries are full of travel books on Africa, but Malachite Lion is a narrative of an unplanned adventure, a modern odyssey that recounts the mysteries and paradoxes of East Africa. The book describes a journey through the crowded, bustling streets of Nairobi, into the wilds of Masai Mara and Amboseli, to ancient, mystifying Mombasa, electrifying Malindi and the sensuous Seychelles. Much of our experience with today’s East Africa is limited by what we see in edited natural history documentaries and sensational news stories. For most of us the place is a fantasy, as unreal as Sindbad's Baghdad. Richard Modlin’s exciting account of his travels through Kenya and the Seychelles will dispel some of the apprehensions that cloak this strange land and its people. His experiences as a scientist and academic have provided him with the skills to interestingly record his provocative observations, interactions, experiences, feelings and thoughts, and transport the reader beyond the confines of a tour bus. Descriptions of his encounters with the variety of indigenous people and wildlife are poignant, humorous and heartwarming. Malachite Lion is a definite read for anyone who has ever dreamed of traveling to East Africa realistically and vicariously.




A Two-Colored Brocade


Book Description

Annemarie Schimmel, one of the world's foremost authorities on Persian literature, provides a comprehensive introduction to the complicated and highly sophisticated system of rhetoric and imagery used by the poets of Iran, Ottoman Turkey, and Muslim India. She shows that these images have been used and refined over the centuries and reflect the changing conditions in the Muslim world. According to Schimmel, Persian poetry does not aim to be spontaneous in spirit or highly personal in form. Instead it is rooted in conventions and rules of prosody, rhymes, and verbal instrumentation. Ideally, every verse should be like a precious stone--perfectly formed and multifaceted--and convey the dynamic relationship between everyday reality and the transcendental. Persian poetry, Schimmel explains, is more similar to medieval European verse than Western poetry as it has been written since the Romantic period. The characteristic verse form is the ghazal--a set of rhyming couplets--which serves as a vehicle for shrouding in conventional tropes the poet's real intentions. Because Persian poetry is neither narrative nor dramatic in its overall form, its strength lies in an "architectonic" design; each precisely expressed image is carefully fitted into a pattern of linked figures of speech. Schimmel shows that at its heart Persian poetry transforms the world into a web of symbols embedded in Islamic culture.